Super 35mm 8.3MP CMOS Sensor ISO 320 to 80,000 Dual Pixel CMOS AF Hardware Upgrade EF Lens Mount Uncompressed HDMI Output with Timecode Dual SD/SDHC/SDXC Memory Card Slots 2 XLR Audio Connectors Canon Log & Wide DR Gamma || Built-In ND Filters with Manual Controls Including al other lenses and accessories.

The Canon EF 24-70mm standard zoom lens does what many pros thought couldn\’t be done–it replaces the L-series 28-70mm f/2.8 lens with something even better. The lens offers extended coverage to an ultra-wide-angle 24mm, making it ideal for digital as well as film shooters. The new processing unit, meanwhile, makes the autofocus (AF) faster than ever. And thanks to the two aspherical elements and a totally new UD glass element, the optics are far superior to the earlier lens. Sealed and gasketed against dust and moisture, the EF 24-70mm lens carries a one-year warranty. Focal length: 24-70mm Maximum aperture: 1:2.8 Lens construction: 16 elements in 13 groups Diagonal angle of view: 74 to 29 degrees Focus adjustment: Front-focusing method Closest focusing distance: 1.25 feet Zoom system: Rotating type Filter size: 77mm Dimensions: 3.3 inches in diameter, 4.9 inches long Weight: 2.1 pounds The Canon EF 24-70mm standard zoom lens does what many pros thought couldn\’t be done–it replaces the L-series 28-70mm f/2.8 lens with something even better. The lens offers extended coverage to an ultra-wide-angle 24mm, making it ideal for digital as well as film shooters. The new processing unit, meanwhile, makes the autofocus (AF) faster than ever. And thanks to the two aspherical elements and a totally new UD glass element, the optics are far superior to the earlier lens. Sealed and gasketed against dust and moisture, the EF 24-70mm lens carries a one-year warranty.

Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens This high-magnification zoom lens is the smallest and lightest in its class, offering ideal cost-performance. A lightweight glass material was used for the first element group – the heaviest group in the optical system – to reduce operational load during autofocus operation. Combined with the micro USM, the autofocus is quick and quiet. The slim exterior and smooth zooming makes this lens a delight to use. Filter size: 58mm Maximum aperture: f/4 – 5.6 With micro USM motor

The EF-S 10–18mm f/4.5–5.6 IS STM lens combines optical excellence with cutting-edge performance, providing an ultra-wide angle of view in a compact, portable package, perfect for EOS cameras with an APS-C sensor. It has a 4 group optical zoom system and includes a large-diameter element, an aspherical lens element, a UD lens element and enhanced lens coatings for high-contrast, high-resolution images with minimal glare and aberration. A circular, 7-blade aperture helps ensure fine background blur and the Canon Optical Image Stabilizer system provides up to four equivalent stops of shake correction. The lens has a stepping motor (STM) and a refined focus mechanism for smooth and continuous AF during video recording. It also has a rear focusing system, plus a high speed CPU and improved AF algorithm for high-speed AF; and offers full-time manual focus for quick adjustments. The EF-S 10–18mm f/4.5–5.6 IS STM delivers reliable, speedy and quiet wide-angle performance, making it an ideal lens for everyday photography, travel, stills and video recording.

The Canon BP-975 is a 7.4V, 7350mAh lithium-ion battery pack compatible with select Canon C-series and XF-series cameras. The battery features four LED lights that indicate remaining battery life, and it communicates the remaining battery life and data to the camcorder for in-camera status monitoring.

With its smooth on-axis tone, great off-axis rejection, and straightforward operation, the Audio-Technica AT875R short shotgun microphone is well suited for budget-conscious indie films, TV shoots, nature recording, and documentary projects where simplicity and quality sound are prioritized. The AT875R\’s high sensitivity allows it to perform reliably with a variety of microphone preamp classes. Its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility and compensate for loss in clarity resulting from wind protection. The durable housing ensures rugged dependability while maintaining a light weight that won\’t burden your boompole or camera, and the included accessories accommodate mounting the AT875R to a mic stand, boompole, or camera-mount microphone holder.

Compatible with 5 types of batteries. (Panasonic CGR-D16S, Sony NP-FH, NP-FM, and NP-F, and AA batteries) Can be attached to multiple different types of cameras. For example: Canon, Nikon, Sigma Olympus, Pentax, etc. Easy to see how much battery power is left. Battery is full when 4 LEDs are lit, and low when only 1 LED is lit. Comes with two filters. Rotate on/off switch to adjust brightness.

Sony E 55-210mm f/4.5-6.3 OSS Overview An ideal complement to many kit zooms, the silver E 55-210mm f/4.5-6.3 OSS Lens from Sony opens the door to many telephoto perspectives with its 82.5-315mm equivalent focal length range on APS-C-format E-mount cameras. With an optical design using two extra-low dispersion elements and two aspherical elements users will enjoy images with minimal aberrations. Also, thanks to Optical SteadyShot image stabilization, camera shake will be dramatically reduced, resulting in sharper images. An internal focus design enables fast, responsive AF and a minimum focus distance of 3.3\\\'. Additionally, it has a seven-blade circular diaphragm for smooth, rounded bokeh. Designed for APS-C-format cameras, this 55-210mm lens perfectly complements many kit zooms by providing an 82.5-315mm equivalent focal length range for telephoto applications. A variable f/4.5-6.3 maximum aperture helps keep overall lens size and weight to a minimum. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera\\\'s sensor-shift type image stabilization for more effective control of camera blur. An internal focus mechanism contributes to faster, more responsive autofocus, the minimum focus distance of 3.3\\\', and easier handling as the lens does not change in length during use. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SEL1855 Overview A versatile standard zoom, the silver E 18-55mm f/3.5-5.6 OSS Lens from Sony is a wide-angle to short-telephoto designed for APS-C-format E-mount mirrorless cameras. The 27-82.5mm equivalent focal length range is benefitted by Optical SteadyShot image stabilization, which compensates for up to four stops of camera shake to produce sharper images when shooting handheld in difficult lighting situations. Also contributing to notable sharpness, the optical design incorporates aspherical elements to reduce spherical aberrations throughout the zoom range for increased clarity and minimized distortion. Rounding out this 18-55mm f/3.5-5.6 is a sleek form factor that is well-matched to E-mount mirrorless cameras, along with a durable aluminum alloy finish. Standard zoom 18-55mm lens is designed for APS-C-format E-mount mirrorless cameras, and provides a wide-to-portrait length 27-82.5mm equivalent focal length range. Aspherical elements are employed in the optical design to control spherical aberrations throughout the zoom range for increased clarity and sharpness. Optical SteadyShot image stabilization minimizes the appearance of camera shake by up to four stops for sharper handheld images. An internal focusing mechanism delivers quick, quiet, and precise autofocus that is well-suited to both stills and video applications. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality. Aluminum alloy finish is both aesthetic as well as durable.

One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimize flare and ghosting to realize greater contrast and color accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override. Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length. Bright f/1.8 maximum aperture enables control over depth of field for selective focus applications and also benefits working in low-light situations. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available. Redeveloped physical design incorporates a metal lens mount for durability as well as a re-located focusing ring to maintain a compact form factor. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Metabones MB_LM-E-BT2 Overview Mount your Leica M lens to your Sony E-mount camera with this T Adapter from Metabones. Precision-crafted from brass and given chromium plating, this adapter is designed for daily use and will guarantee infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods. While this adapter allows users to mount a Leica M lens on their Sony E-mount camera, automatic functions such as autofocus and electronic aperture control will not be supported.

Lightweight and exceptionally compact, the silver E 16mm f/2.8 Lens from Sony is a suitable travel companion. Providing a 24mm equivalent focal length when mounted to your APS-C-format E-mount camera, this lens will allow photographers to capture wide landscapes and work in tight spaces with ease. It offers a fast maximum aperture of f/2.8 for operating in low-light conditions and it incorporates one aspherical element to combat various aberrations that may occur. Also, it has a fast and silent motor for autofocus in stills and video modes and features an internal focus design that ensures maximum performance. A seven-blade circular diaphragm is implemented as well for smooth bokeh. Additionally, it can accept optional ultra-wide and fisheye converters for getting 18mm and 15mm equivalent perspectives. With its pancake design, the lens only extends 0.9\" from the mount, resulting in a compact and lightweight camera system. Designed for use on APS-C format cameras, this 16mm lens will provide a wide-angle perspective with a 35mm equivalent focal length of 24mm. The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field. One aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The lens uses an internal focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 9.4\". Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. This lens is compatible with optical wide-angle and fisheye conversion lenses, which, when used, will convert this lens into an 18mm or 15mm lens, respectively.

6 available

1920 x 1200 resolution 10-bit FRC monitoring processing 1500 cd/m² brightness 4K HDMI input/output AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras High Bright mode for Rec. 709 viewing UHD 4K downscale for HD monitoring Supports custom 3D LUTs (.cube format) Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3

Adobe RGB | 27 Inch 2560×1440 QHD Resolution 99% Adobe RGB with IPS technology Hardware Calibration with Accurate Colors

Affordable high picture performance The LMD-2110W is an elegant 21.5-inch widescreen LCD monitor specifically designed to provide reference video monitoring solution for entry-level video applications. Its 21.5-inch size and Full HD (1920×1080) picture resolution makes this video monitor ideal in various applications such as entry-level non linear editing, videographer, high definition office viewing, security and medical, and some others. A 10-bit processor ensures accurate picture reproduction will less image artefacts. Combined with a high purity filter, the LMD-2110W provides excellent colour depth for precise colour reproduction. Equipped with a HDMI interface as standard, this new entry-level monitor is an ideal match for professional and semi-professional high-definition applications. This monitor can be used for desktop editing and office viewing applications with video or computer format input through DVI to HDMI conversion cable. The LMD-2110W also supports both HD-SDI and SD-SDI with the optional BKM-341HS adaptor. The LMD-2110W wins hands-down in terms of breadth of operation and performance when compared to standard PC monitors: – video image reproduction is far superior due to its moving picture optimisation circuitry and colour temperature and Gamma control. Slim and lightweight, the LMD-2110W also offers outstanding installation flexibility. It has a table stand and VESA mount as standard enabling it to be easily placed on a desktop, in a monitor wall or on a ceiling.

Ditch the keyboard and mouse when editing or doing advanced color correction with the Tangent Devices Element Panels Kit. This bundle includes the Tk Panel with three trackerballs – ideal for three-way color correction – the Mf Panel with an additional trackerball plus 21 tactile response buttons – ideal for secondaries work – the Kb Panel with 12 user-assignable knobs, and the Bt Panel with 14 additional tactile response buttons. A magnetic mechanism allows all four panels to be combined seamlessly into a single, contiguous control surface. The list of compatible software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. For more information on each panel, please follow the links below. Tangent Element Tk Panel The Tangent Devices Element Tk Panel is the “Trackerball” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer. Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters. The Tk panel has three programmable trackerballs and three programmable rings atop the balls. It has separate reset buttons for each ball and ring, and two buttons to program functions like ALT and Shift into. The trackerballs and rings work by optical laser pickup for high-precision and extended life. The trackerballs can be removed for cleaning, and they can be reinstalled quite easily. The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.) Tk Panel Features 3 programmable trackerballs and 3 programmable rings Equipped with individual reset buttons for each ball and for each ring 2 buttons are available to program Shift, ALT and similar functions into The balls and rings work by laser pickup ensuring precision and long life The rings also have smooth bearing. The buttons work by tactile response Compatible with Tangent’s HUB service for customized layout of the controls Design The panel takes up a very small desk footprint of only 7.9 inches deep Made of laser-cut aluminum and attaches onto other panels magnetically An OLED display shows what each individual control is programmed to do Connects to a computer by a single USB cable via plug-and-play functionality Supporting Software The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo Tangent Element Mf Panel The Tangent Devices Element Mf Panel is the “Multifunction” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer. Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters. The Mf panel has two display screens and twelve programmable buttons. It has one programmable trackerball and one programmable ring atop the ball. It has separate reset buttons for the ball and the ring, two buttons to program functions like ALT and Shift into, and standard transport buttons such as “play” and “stop”. The trackerball and ring work by optical laser pickup for high-precision and extended life. The trackerballs can be removed for cleaning, and they can be reinstalled quite easily. The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.) Mf Panel Features 1 trackerball, 1 ring, and 12 buttons, all programmable Additionally features standard transport buttons and 2 reset buttons 2 buttons are available to program Shift, ALT and similar functions into The ball and ring work by laser pickup that ensures precision and long life The ring also has smooth bearing, and the buttons work by tactile response Compatible with Tangent’s HUB service for a customized layout of the controls Design The panel takes up a very small desk footprint of only 7.9 inches deep Made of laser-cut aluminum and attaches onto other panels magnetically Two OLED displays show what each individual control is programmed to do Connects to a computer by a single USB cable via plug-and-play functionality Supporting Software The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo Tangent Element Bt Panel The Tangent Devices Element Bt Panel is the “Button” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer. Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters. The Bt panel has fourteen programmable buttons, two of which are for programming Shift, ALT and similar functions into. The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.) Bt Panel Features 14 programmable buttons that work by tactile response 2 of the 14 are for programming Shift, ALT and similar functions into Compatible with Tangent’s HUB service for customized control layouts Design The panel takes up a very small desk footprint of only 7.9 inches deep Made of laser-cut aluminum and attaches onto other panels magnetically An OLED display shows what each individual control is programmed to do Connects to a computer by a single USB cable via plug-and-play functionality Supporting Software The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo Tangent Element Kb Panel The Tangent Devices Element Kb Panel is the “Knob” panel of a set of four Element panels that replace a keyboard and mouse in operating select functions of supporting software, such as of supporting color-grading software. The panels can be used to achieve precise results quicker and with more technical gratification than possible with a keyboard and mouse. The list of supporting software is a growing one and includes such applications as DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo. The controls of the panels can be programmed and reprogrammed to operate different functions. The manufacturers of supporting software designate the functions that each panel and its controls can operate, and the manufacturers make available the details of their designations in either the respective software manuals or by phone or email upon contact, depending on the manufacturer. Upon a control’s being programmed, its functionality gets labeled on the display screen of its panel. When reprogrammed, its functionality gets re-labeled. The display screens have white OLED bulbs and show crisp, high-contrast, high-resolution easy-to-read characters. The Kb panel has twelve programmable knobs and two buttons for programming functions like Shift and ALT into. The different panels can be used individually or all together in a set. More than one of each type can be incorporated into a set, and a widely-functional control system can thus be put together. The panels are made from precision laser-cut solid aluminum. They neatly attach to each other’s sides by magnet, and they take up a desk footprint of only 7.9 inches deep. They are USB-powered and connect to a computer each by a single USB cable via plug-and-play functionality, without need for drivers to be installed. The panels can also optionally be used with Tangent’s HUB service, which allows the layouts of the panels’ controls to be customized. (Supporting software would have to also support HUB API.) Kb Panel Features 12 programmable knobs and 2 tactile response buttons The buttons are for programming Shift, ALT and similar functions into Compatible with Tangent’s HUB service for customized layout of controls Design The panel takes up a very small desk footprint of only 7.9 inches deep Made of laser-cut aluminum and attaches onto other panels magnetically An OLED display shows what each individual control is programmed to do Connects to a computer by a single USB cable via plug-and-play functionality Supporting Software The list is growing and includes DaVinci Resolve, SCRATCH, On-Set Dailies, Mistika, and YoYo

1920 x 1200 resolution 10-bit FRC monitoring processing 1500 cd/m² brightness 4K HDMI input/output AtomHDR technology displays 10 stops of dynamic range to natively display HDR (log) footage Presets for viewing log gamma curves from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras High Bright mode for Rec. 709 viewing UHD 4K downscale for HD monitoring Supports custom 3D LUTs (.cube format) Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3

Elgato HD60 S Overview Record and stream your gaming highlights with low-latency using the Game Capture HD60 S High Definition Game Recorder from elgato. This external capture card has a USB-C 3.0 interface, which features a reversible connector, and supports up to 1080p at 60 frames per second. Advanced hardware H.264 encoding lets you capture in HD yet keeps the file size small. Game freely and never miss a moment with Flashback Recording – simply slide back in time on your PC and hit the record button retroactively. For streaming, Stream Command lets you add in your webcam, overlays, live commentary, and more. The Game Capture HD60 S can record PlayStation 4, Xbox One, Xbox 360, and Wii U gameplay to a Windows PC via a HDMI pass-through. Mac OS X users will have to check the elgado website for software support. Record in 1080p at 60 fps Live stream your gameplay on Twitch and YouTube Instant Gameview provides you with an instant preview including your webcam and live commentary Add your webcam, overlays, and more with Stream Command Add your voice with the Live Commentary feature Record your PS4, Wii U, Xbox 360, or Xbox One gameplay to a Windows or Mac PC Advanced H.264 encoding HDMI pass-through to your TV Flashback Recording lets you record retroactively

60W 600pcs LED Bulbs LED Photo Video Light Bi-Color Dimmable DMX 512 2.4G Remote Control For Studio Photography Price listed as one.

2 Pieces Bi-color 660 LED Video Light and Stand Kit Includes:(2)3200-5600K CRI 96+ Dimmable Light with U Bracket and Barndoor and (2)75 inches Light Stand for Studio Photography, Video Shooting

MLS500F Spectra-LED-Lights Smooth dimming without flickering and color shift Daylight balanced LEDs at 5000K Light Output: 550lux @ 1m with a beam angle of 60° Powered by 6xAA alkaline or lithium batteries Best in class color rendition (CRI>90)

KIT INCLUDES: (1)192 SMD LED Ring Light with Bracket, (1)Light Stand, (2)6600mAh Li-ion Battery, (2)Battery Chargers, (1)Power Adapter, (1)EU Plug; Ideal for advertisement, photo-art, industrial, scientific and technical photo or video photography SMD 192 LED RING LIGHT WITH CAMERA BRACKET: Special SMD LED design; Produce a greater color (CRI 96+) when in use; Lightweight and portable; Constant current drive, low power loss; 192 pieces energy-saving LEDs place inside evenly, ensuring a brighter and a more wide spread of light; Color temperature with a range from 3200k to 5600k can be adjusted easily by yellow/white color separate dimmer control STABLE SUPPORT BRACKET: Light stand can be easily screwed into this bracket for different shooting angle requirement; And a camera or camcorder can be installed safely and firmly on it; Easy set up or take apart, providing an extra convenient for your creation work POWER SOURCE: Powered by AC adapter or Sony NP-F970 replacement Li-ion Battery to provide 90-180 minutes’ lighting; Two spare replacement batteries included provides an extra power for your digital camera or camcorder; Together using with battery chargers, you can keep shooting during a long time journey p>HEAVY DUTY ADJUSTABLE LIGHT STAND: Adjustable height ranges from 3 feet/0.92 meters to 6.5 feet/2 meters for meeting various shooting angle. Metal construction and come with solid locking system, it gives exceptional strength for heavy duty work, ensuring the safety of photographic equipment and providing great convenience when in use with its easy-set-up-and-take-down design

A versatile constant light source well-suited for video work, this SL-60 LED Light from Godox is a daylight-balanced, 5600K light featuring a COB (chip on board) LED for high brightness and color accuracy. The intuitive design of the light incorporates a rear LCD monitor and a dial with a 10-100% dimming adjustment. A dedicated wireless remote is also included for brightness control as well as for grouping lights for multiple light configurations. Also, to help ensure consistent and continuous use, a heatsink and built-in fan are featured to help regulate temperature along with a specialized temperature control function to protect the LED itself. The light is also configured to accept Bowens S-mount light modifiers and accessories, such as the included reflector, and the LED also has a clear cover over it for additional protection. Daylight-balanced light has a color temperature of 5600K. The 60W COB LED offers a high output along with color-accurate rendering and dimming control from 10-100%. On-board brightness adjustment is available using the rear dial and LCD. Included RC-A5 remote control offers wireless dimming control as well as the ability to work with six lighting groups and 16 channels. This 433 MHz remote runs on three separate AAA batteries and has a wireless range of approximately 65.6′. Bowens S-mount is compatible with a variety of light modifiers and accessories, such as the included reflector for producing a broad, even, and neutral light quality. Integrated heatsink, built-in fan, and temperature control function help keep the light running cool for safe and consistent use. The temperature of the fixture itself can also be monitored, in Fahrenheit or Celsius, on the rear LCD. Runs on 100-240 VAC power for use worldwide.

Professional reflective fabric with precise color temperature is tailored elaborately, hard skeleton provides enough support for softbox Two layers of soft cloth can make light more even, gentle, exquisite, suitable for many kinds of studio flash shooting Silvery white umbralla skeleton design, quick release, convenient to fold and install, portable, easy to carry With standard size Bowens mount, this high quality softbox fits right in many studio strobe Widely used, the octagon umbrella softbox makes it desirable for fashion photography, portraits and medium to large sized product shots

Manfrotto MVK500AM (MVK-500AM) Lightweight Fluid Video Head with Twin Leg Tripod and Middle Spreader. The lightweight fluid video system MVK500AM includes the fluid video head (60mm half ball) MVH500A and the twin leg video tripod MVT502AM (aluminum, middle spreader) . The MVH500A is a lightweight head with a wider platform for HDSLR bodies and the sliding plate travels to balance the latest interchangeable lens cameras. The entry-level 500 ensures smooth shots and fine control with up to 5kg (11 lbs) of equipment. It’s the most compact head in Manfrotto\\\\’s successful Bridging Technology™ range. MVH500A is supplied with a 60mm half ball video tripod mount and it also replaces the Manfrotto 701HDV video head. Beautifully smooth shots: the 500 has professional fluid cartridges on both pan and tilt axes to ensure that every camera movement is smooth, controlled and precise. Faster, easier and safer to use: the side lock system allows the camera and sliding QR…

H156 with Manfrotto platform

Key Features 16.5 lb Load Capacity Aluminum Legs 18 to 66\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\” Range 4-Step Counterbalance The Manfrotto 504HD Head with 546B 2-Stage Aluminum Tripod System combines the innovative and stylish 504HD fluid video head with the 2-stage aluminum 546B professional video tripod to create an ideal combo of affordability, stability, and smooth, precise control.

(2) Available

Manufactured in carbon fibre and aluminium, incredibly lightweight, robust, corrosion proof and heat-resistant,  this prize winning crane features both manual and fixed-angle tilt control, is quick and easy to set up, pack away and transport. Ideal for studio or location use. WHAT YOU GET: 1 x Minicrane 1 x Centre mount camera platform 1 x Carry case with handles 1 x ¼ to ⅜ adapter TECH SPECS: Materials: x6 layers carbon fiber and anodised aluminium Weight: 1.52kg Max load: 5kg Tube diameter: 30mm Extended length: 2000mm Folded length: 750mm Max radius: 1200mm Tilt length: 2100mm PRODUCT FEATURES: Carbon fiber layering ensures weight is reduced dramatically to just 1.52kg Highest weight capacity of similar sized jibs (an enviable 5kg) Easy to transport and setup Centre-mounted camera platform adds improved stability and functionality Removable, adjustable sliding weight bar allows fine-tuning control Features manual and fixed-angle tilt control, Versatile mount allows for extra accessories to be attached Useful removable counterweight hook included Suitable for all locations and weather conditions

The Camera Crane Jib is a practical,suitable for all kinds of DSLRs and camcorders Feature: Material: Carbon Fiber Load Capacity: 10KG Max length: 2.0m Carbon Fiber, Extends 4' from Tripod base mounts to standard tripod heads using 1/4" or 3/8" thread Package Included: 1x Mini Jib main part 1x Mini Jib supporting rod 1x Carry bag

DURABLE: The light stand is made of aluminum alloy, making it strong for heavy-duty work. Max. load capacity is 11 lbs / 5kg. COMPACT AND PORTABLE: It is also of lightweight and can be folded into a small size, making it portable and easy to store after use. STABLE AND SOLID: Its solid locking capability makes your lighting equipment much safer. COMPATIBILITY: Made by the industrial standard, it supports all major brands of photo equipment such as reflector, softbox, different lights, umbrella, background, etc. HEIGHT ADJUSTABLE: Height is adjustable from 113 centimeters to 260 centimeters/ 45 inches to 103 inches. WIDE APPLICATION: It is perfect for photo studio and on-site photo and video shooting! NOTE: Light stand only, the strobe light is not included Material: Aluminum Alloy Folded Height (approx.): 38 inches/96 centimeters Minimum Height (approx.): 3.7 feet /45 inches/113 centimeters Maximum Height (approx.): 8.53 feet/103 inches/260 centimeters Net weight per light Stand (approx.): 4.74 pounds/2.15 kilograms Max. Load Capacity (approx.): 11 pounds/5 kilograms Spigot: 1/4 (need adapter to convert to 3/8) Tube Diameter: 22mm Segments: 3

The K&M 21020 Boom Microphone Stand is ideal for studio and live musicians alike. The steel frame has a rugged build that can survive consistent touring. The 21020’s tripod base features adjustable legs to stay secure on any stage, plus the rubber foot caps prevent slipping for increased stability. This model benefits from a clutch adjustment mechanism for instantly achieving your exact height preference. The 21020’s 3/8” thread fits to most standard connections for boom arm uses.

Key Features Indie Filmmaking, Video Content Creation Look-Ahead Limiters Prevent Clipping 4 x High-Gain, Low-Noise Mic Preamps Records 6 Inputs & Stereo Mix Ambisonics, WAV & MP3 Formats Compatible with Zoom Mic Capsules Flexible Powering Options Dual SD Card / USB Interface Recording AutoMix Software Reduces Mix Noise Precision Time Code Reader/Generator

Sample Description B

The AT8015 from Audio-Technica is a line gradient condenser, phantom or battery powered, shotgun microphone with ideal sound rejection from the sides and rear of the mic to capture audio over long distances. It can be used in various environments for applications such as videos, TV broadcasts, and ENG (Electronic News Gathering) productions. It features a roll-off position switch that reduces the pickup of low-frequency ambient noise like traffic, room reverberation, and mechanically coupled vibrations. The microphone comes with a stand clamp, a 5/8\” to 3/8\” adapter, a windscreen, an AA battery, and a protective carrying case.

最小縮長 最大伸長 段　数 重　量 価格(税別) MB203B 745mm 2000mm 3段 480g オープン価格 MB263B 940mm 2600mm 3段 590g オープン価格 MB264B 750mm 2600mm 4段 720g オープン価格

Including all kit for Audio recordist

he RØDE NT1-A 1 inch cardioid condenser microphone has become an industry standard; delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the world’s most expensive microphones. With a self-noise level of only 5dBA it is widely recognised (along with the NT1) as one the world's quietest studio microphones. This low noise makes it an ideal for vocal microphone as well as perfect for recording guitars and percussion. Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. A studio grade pop shield and shock mount is included, along with a premium 20-feet microphone cable, dust cover, and an instructional DVD packed with recording tips. The RØDE NT1-A large diaphragm 1 inch cardioid condenser microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

Rycote® Lyre® shock mounting onboard All-new capsule with lower noise and higher sensitivity Broadcast recording quality condenser microphone Compact form factor (150mm/6” length) Ultra lightweight (85g/3oz) 9V battery powered - over 70 hours use (alkaline) Integrated shock mounting Integrated foam windscreen 3.5mm stereo mini-jack output (dual mono) Two step High Pass Filter (flat, 80Hz) Three position level control (-10dB, 0, +20dB) Camera shoe mount with 3/8” thread for easy boompole mounting 10 year extended warranty when you register your microphone The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio. At the heart of the VideoMic Pro is an all-new 1/2" condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera. The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded. Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry. The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery. The RØDE VideoMic is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty. VIDEOMIC PRO SPECIFICATIONS Acoustic Principle Line Gradient Active Electronics JFET impedance converter Capsule 0.50" Address Type End Frequency Range 40Hz - 20kHz (selected HPF @80) Output Impedance 200Ω Maximum SPL 134dBSPL Maximum Output Level 6.9mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 14dBA Weight 85g Dimensions 100mmH x 75mmW x 170mmD

Yamaha HS Series Monitors Ever since the 1970’s the iconic white woofer and signature sound of Yamaha’s nearfield reference monitors have become a genuine industry standard for a reason – their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha’s speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5″ model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.

AT835b The AT835b has been updated. Click here for more information on the newest model. The length (14.53\\\") of the AT835b Line + Gradient Condenser Microphone is well-suited for ENG, outdoor recording and other specialized uses. The microphone is designed for video production and broadcast (ENG/EFP) audio acquisition. Suited for both boom & handheld use, it provides the narrow acceptance angle desirable for long-distance sound pickup, featuring excellent sound rejection from the sides and rear of mic and switchable low-frequency roll-off. It operates on battery or phantom power.

Combining their 3-tiered T3 stand with 3 rolling casters with brakes, the T3C Rolling Tripod Stand from Triad-Orbit can be used as a mobile studio roller. The T3 features a three-section shaft and is designed to accommodate applications that call for 32.5 - 78.5\\\\\\\" mic placements. The O2 Dual-Arm Boom from Triad-Orbit features dual boom arms, great for stereo miking grand pianos, snare drum (top & bottom), body and neck of an acoustic guitar, acoustic guitar and vocals, choirs, big bands, orchestras, and more.  

Arm Chairs. For casual interview sessions.

For interview sessions.

For the floor protection.